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Music Reviews

Want to submit a review of your favorite album, artist or show?

Victory e-Mag

WhileAway

11/7/2013

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Jeannine Hebb
Whileaway

Released: 2011
www.myspace.com/jeanninehebb

Jeannine Hebb began her music career at the age of four when she worked out the tune of Don’t Cry For Me Argentina on the living room piano while listening to it as the only song on her grandmother’s music box.

As an only child, and being shy, she spent much of her childhood writing her own songs while learning piano developing her singing voice, and was touring with a professional musical theater group by the age of thirteen. Stage was the place where she felt comfortable with herself. She went on to Berklee College of Music and graduated in three years at the age of twenty.

Along the way she won several awards, including the recipient of the Frank E. Remick and E. Ione Lockwood awards for excellence in music and vocal performance and the Susan Glover Hitchcock scholarship for outstanding musicianship. She also received the Scott Benson scholarship for songwriters, the highest honor in the Berklee songwriting department, when she graduated. After that, she moved to New York City where she released her first EP, Too Late To Change Me.

She has been compared to singers and songwriters from Laura Nyro to Carole King and her style contains influences from jazz, blues, and rhythm and blues, and she blends them together well. The album contains quite a few other musicians including herself on voice piano, with additional musicians on guitar, pedal steel, bass, drums, violin, viola, and cello, although the piano is the featured instrument which is understandable since she is the piano player, and she does an excellent job at it. But is her singing that really carries the album.

The production and arrangements are excellent as is her performance. She has a beautiful voice that is full and rich and well suited for the style of music on the album. The songs are about heart break but done in a somewhat upbeat manner making the album more light-hearted and very enjoyable to listen to. The song I Believe has this in it with lyrics that might sound rather downbeat but are sung beautifully:
    "If I believe /
     What everybody’s telling me
     Surely you would disagree
     With everything I’ve heard
     Can I take your word."

And the song Back to Me Again is very upbeat and fast paced and really showcases her great voice:
     "Say what you want /
     But leave my heart /
     I need all my precious heart /
     And I know you can’t be trusted /
     With my mind /
     And it’s twisted all the time /
     Wrapped so tightly I might die /
     Any time you so desire."

Her voice and songwriting are impressive, and so is the album.

     - by Greg Bennett



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Celia Ramsay: i'll just lie about it

6/1/2013

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Blues/Jazz

Celia Ramsey: I’ll Just Lie About It

No producer listed

Released: 2012

http://www.celiaramsey.com/

This is Celia’s second album and shows a lot of vocal talent. Those who like the old torch music will find this album very satisfying. The atmosphere takes me back to the black and white movie era. She grew up listening to Scottish ballads and music from the thirties and forties and sings the songs as if she grew up in that time. Celia is currently residing in the San Francisco Bay area and is becoming well known in San Francisco and Berkley.



The album includes a few old ballads from way back when and also nine new compositions of her own that could very well have come from the same era as the others. Her voice and style provide a dreamy style and atmosphere to the songs.

The first song which is the title song, I’ll Just Lie About It, starts the album off as a bluesy ballad with a nice clarinet solo and old fashioned torch lyrics. It could have come from an old black and white movie.

Do your kisses stir my soul

Do I think you make me whole

Should I sigh and lose control

Please don’t lie about it

She describes her composition Lament as true confessions of the mid-life kind. The song has a strong bluesy saxophone solo in it and some good lyrics in a humorous vein.

What would I do without you my libido

Without you men are just friends

Not all of the songs are slow torch songs. There is a good mix of slow and swing music like Bad Girl Song with her voice and a clarinet woven around each other in a good swing style. The album is very well produced and put together and displays a great singer with a nice old dreamy style and some great arrangements with some very talented musicians. She is a seasoned singer and this album is well worth listening to.

[Greg Bennett]

Music Reviews30's, 40's, Berkley, black and white movie., Blues/Jazz, Celia Ramsey, clarinet, I'll Just Lie About It, Music Reviews, old torch music, San Francisco, Scottish ballads
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jon mcauliffe "in this present form"

6/1/2013

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Singer/Songwriter “In This Present Form”
Jon McAuliffe


McAuliffe is a veteran writer and player from the East coast.  Jon has worked the road and publishing companies since the mid 1960’s and like any working musician has been involved in many bands, either fronting or as a supporting player. The consistent fact is that McAuliffe is a songwriter.

Details or PR are in short supply for the product, but it does not diminish the music held within.  “Gotta Get Back to Memphis”, the second track following the first track quickly illuminates the years of influence McAuliffe has drank in during his years working in the industry.  The lyric and delivery vocally are significant signs of a man that has honed his skills.  The guitar work he displays are precise and another obvious account of time in on the craft.

McAuliffe has a rock vibe, but influences in country, folk and jazz are apparent in the work as well.  At his best, Jon McAuliffe is a great story teller.  His writing is crafted around amazing arrangements of some great players.  I’m not sure who he’s using within the ensemble, but another apparent factor is that he has drawn deep from his well of players over the years and brought the best to this project.  The work was carefully produced by Seth Connelly, Connelly took care in his production and mix values to insure the singer’s stories and vocals were always shinning through.

“Tear Down Every Wall”, track five has a great gospel feel to it and again highlights McAuliffe’s talents as a writer and vocalist.  There is an economy in the writers use of the language coupled with the production that is lost on many of the younger artists I hear these days, but time has been McAuliffe’s friend. Whatever his influences are or have been, he takes from the best of them and rolls his work into an authentic style that is pretty amazing for an indie artist.  His use of country, folk and rock to embellish his lyrical approach to his subject matter is amazing. His other great assets are his steady vocals and willingness to risk.  He can range from straight ahead rock tunes to very tender ballads.

“In This Present Form” is in the present, but illuminates a professional who has forged his own destiny in the industry and  takes no back seat or thought to what is currently an industry  that looks toward the very young to exploit for a decade and move on to the next cash cow.  Jon McAuliffe has been doing this thing awhile and will continue to walk his own road musically, which is a very good thing.

The product is a great listen and some of the best singer/songwriter chops I have had the pleasure to review.

[Christopher Brant Anderson]


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